SEARCH RESULTS FOR: Jethro Tull
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(Vocal/instrumental group, 1967–present) While this group – originally Ian Anderson (vocals, flute), Mick Abrahams (guitar), Glenn Cornick (bass) and Clive Bunker (drums) – rose on the crest of the British ‘blues boom’ in the late 1960s, they absorbed many other musical idioms, principally via composer Anderson. The image of his matted hair, vagrant attire and antics ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

1878–1968 Italian conductor Serafin was principal conductor at La Scala, Milan, 1909–14 and 1917–18, and conductor at the Metropolitan Opera, New York, 1924–34. After World War II he returned to La Scala, where he conducted the Italian premiere of Britten’s Peter Grimes. At Covent Garden in 1959 he conducted Joan Sutherland in her triumphant performance ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1965–72, 1989, 1996) When the ‘classic’ line-up of Marty Balin (vocals), Grace Slick (vocals), Paul Kantner (guitar, vocals), Jorma Kaukonen (guitar, vocals) and Skip Spence (drums) found each other, a merger of an oblique form of folk rock with psychedelia ensured acceptance by their native San Francisco’s hippy community. They produced 1967 hit ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Joe Bonamassa, born in 1977, began playing guitar at the age of four on a small instrument given to him by his father. By the age of seven, he was playing Stevie Ray Vaughan songs on a full-size guitar. Bonamassa began performing in upstate New York at the age of 10 and was discovered by the blues great ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

For many people in the 1960s, folk was equated with acoustic music or even unaccompanied music – and electric guitars were the great taboo. The sense of propriety among the revivalists of the time made them fiercely protective of the music, determined to preserve its purity in the face of attack from the evil forces of pop. Many saw ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

After the seismic shifts of the previous decade, the 1970s reflected faster-moving, less permanent crazes, beginning with glam rock and ending with the new wave. Glam rock saw the likes of Alice Cooper and Kiss taking make-up to extremes, while the comparatively anonymous Eagles and Bruce Springsteen respectively updated the blueprints established the previous decade by country ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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